40. Wedding Day Pictures

Note: While I "took" all of these pictures, the professional photographer, JR Sterling, really deserves the credit for about half of them. He graciously let me follow him around and take advantage of his excellent set-ups. He was really great! If you are looking for a photographer in the Central Florida area, check him out!

39. Miscellaneous Details

I started this week a bit behind schedule, since I had spent the weekend dealing with the unanticipated waist length issue caused by the back darts. So, I took Wednesday, March 5th, off to work on the dress. It was a productive day during which I focused on a number of relatively small details.

Following advice from Julie, I added straps so that the dress can be hung. I used ribbon with Susan’s wedding colors: yellow, blue and green. It’s kind of wild, but I think she’ll enjoy it. :)

Following more advice from Julie, I attached boning along the back darts. Hopefully this will help the back of the dress to lay flat. I used plastic boning this time, because that was all I could get at our local Joann’s. I used a combination of sand paper and melting with a candle to smooth the cut edges of the boning.

I’ve only hand basted these in for now – I want to see the impact on Susan before committing to them fully. The grey thread you see here (and in other shots) is polyamide button hole twist, which is VERY strong. Sorry for the blurriness of the photo – I’m still trying to learn the special features (like manual focus) of my new camera.

I added button loop tape and the back extension. The button loop tape I used has elasticized loops, which hopefully will make them a bit easier to secure. The loops were too far apart on the original tape, so I folded it over on top of itself and doubled the frequency of the loops.

I added my label and closed up the lining everywhere.

I trimmed the length of the skirt so that it was even all the way around. Once this length was established, I was able to align the lace properly onto the godet, baste it into place and insert the godet into the skirt.

And I finished up the waist stay. Let me spend a minute on this, because this was a detail for which my intuition failed me and I learned a few things from experience. I allowed myself to become confused by two different sets of advice. Most people on PatternReview recommended a waist stay. It’s kind of like a belt, on the inside of the dress, which holds the weight of the skirt so that this weight isn’t all on the strapless bodice, pulling it downwards.

One professional seamstress, however, gave me detailed instructions for making an inner corset to slip between the silk and the lining, and part of those instructions included attaching a grosgrain ribbon to the bottom of this corset (i.e., at the bodice-skirt seam) and using THAT ribbon to hold the weight of the skirt. So I went into this step mentally comparing the imagined advantages and disadvantages of a ribbon around bodice-skirt seam (attached continuously) and a ribbon around the waist (where there isn’t a seam in this dress) attached only in a few spots.

Can you see where I’m going with this? Without experience, the first option seemed to make more sense to me. It seemed like placing the ribbon at an existing seam line and having it connected continuously would be more secure.

But I was wrong. One of the critical things I neglected to take into consideration is that the instructions for the higher ribbon were in the context of incorporating an inner corset into the dress. Without that inner corset, trying to place a ribbon above the waist just doesn’t work. The stay naturally wants to slip to the smallest part of the body – the waist. So, that’s where it should be put.

Also, the dress hung more nicely on Susan the FEWER points at which the waist stay and skirt were attached. I can’t really explain why THAT was true, but it was. In the end, I attached the waist stay at waist level and only at the side seams. I used a bit of elastic at each end of the grosgrain ribbon, where I put the hooks & eyes, so that I could get it really snug.

Julie left small openings in side seams of the lining for her waist stay to come through, but I had cleverly (ha!) used French seams in my lining and they didn’t look like they wanted to come open again. So, instead, I reinforced the lining right by the side seams with interfacing and then made buttonholes. Conveniently, the largest setting on my automatic buttonholer is 1 inch, which is also the width of the waist stay…

So, the only steps that remain are to do the self-facing for the godet (should be quick), add the buttons, hem the dress, remove any leftover basting and a good pressing! :)

Good thing, because the rehearsal dinner is tonight and the wedding is tomorrow!

38. "Final" Fitting: Before, During and After

After shaping the lace to fit on the bodice (with 2 darts), assembling the major pieces of the dress went smoothly. Following the pattern instructions, I stitched the silk skirt to the silk bodice and then attached the skirt lining at the same seam. (The bodice lining will eventually be slip-stitched at that seam in such a way as to cover all the layers.) Then I put in a "waist stay" - attaching it to the 2 side seams and the 2 darts in the back of the dress. (I'll talk more about this in a later post, and include some pictures.)

Then I was ready for Susan and the "final" fitting. ;)

She made the hour-long drive on Saturday and, for the first time, put on her wedding dress! From the front, it looked beautiful. :)

But there was something seriously wrong in the back... There were a number of horizontal wrinkles along the small of her back, suggesting that the dress waist was too long for her. Here is a picture (brace yourself, it's not pretty...)

I just couldn't understand it. Susan must have tried on the muslin half a dozen times, and then the lining, and I have NEVER seen those wrinkles before. How could the waist all of a sudden be too long?

The obvious, yet painful, fix would be to take apart the side seams, shift the back pieces up and then reattach them. The problem with that route was the length - I was afraid it would shorten the length of the dress enough that Susan wouldn't be able to wear the high heels that she had selected.

But I still couldn't get past the confusion - why would this fitting problem appear now? I slept on it and the next morning, I had a thought. What else, besides the shape of the side seams, contributes to the location and size of the waist of a skirt? Answer: the length and depth of the darts in the back...

As you may remember, the back darts were the ONE bit of the pattern that I didn't completely nail down in the muslin. At our last muslin fitting, I noted the need for one last adjustment and decided that it was small enough that I could transfer the idea to the real fabric. Then I had that difficulty with the lining - the back darts were too wide and I had to let them out again to get the skirt to line up with the bodice. So the darts were still kind of an open question. But, the lining did fit...

So, I compared the length and depth of the darts in the lining to those in the silk and, sure enough, they were longer in the silk - creating a longer waist. I took out the darts and put in shorter ones and Susan, bless her heart, made the drive AGAIN for another "final" fitting.

Did it work? We're still not perfect, but I think it's a major improvement. Take a look:

(Sorry the picture is a bit dark.) I still have some minor issues with the waist stay to work out - I'll talk about those in my next post. Major steps left: buttons up the back and the hem. I'm working on Monday & Tuesday, but I'm going to take Wednesday off and, depending on how that goes, maybe Thursday. (I got permission to take Friday off a while ago.)

Five days and counting! :)